Arts and Entertainment

Decoda, Ringdown to link modern, classical folk songs March 31 in Recital Hall

Penn State School of Music students will collaborate with the artists for Aaron Copland’s ‘Appalachian Spring’

Decoda has performed its sometimes-nontraditional works in nontraditional spaces, including prisons and hospitals. The musicians often perform modern composers, renewed versions of classical works and contemporary versions of modern songs. Credit: Titilayo Ayangade. All Rights Reserved.

UNIVERSITY PARK, Pa. — Contemporary chamber music collective Decoda will explore the boundaries of classical and folk genres with special guest vocal duo Ringdown. The program, “Reverberations,” will be at 7:30 p.m. Tuesday, March 31, in Recital Hall at Penn State University Park.

During the concert, Decoda will perform Aaron Copland’s “Appalachian Spring” in a collaboration with students from the Penn State School of Music, a unit of the College of Arts and Architecture.

After the performance, the artists will speak with interested audience members.

Call 814-863-0255 or visit Decoda online for more information.

Exploring the link between classical and folk music

Decoda features alumni from Ensemble Connect — artists from Carnegie Hall and The Juilliard School — and is the only affiliate of Carnegie Hall. The group is known for its equal devotion to flawless performance and meaningful audience engagement. It has performed its sometimes-nontraditional works in nontraditional spaces, including prisons and hospitals. The musicians often perform modern composers, renewed versions of classical works and contemporary versions of modern songs.

Portland, Oregon-based Ringdown blends classical roots with contemporary storytelling in its cinematic, electro-pop vocal stylings. The project features singer-songwriter Danni Lee Parpan and Caroline Shaw, a 2013 Pulitzer Prize- and Grammy Award-winning composer and former member of Roomful of Teeth. Founded in the early 2020s, the partners blend intricate vocal layering with strings, synths and experimental electronic sounds.

“Reverberations” explores the links between inspiration and imagination and the interconnected web of musical influence and features two works by Aaron Copland that aim to reinvent folk material. The program will include:

  • Aaron Copland, “Midday Thoughts” for Solo Piano (1944, rev. 1982)
  • Hanns Eisler, Septet No. 1, Op. 92a (1940)
  • Woody Guthrie/Billy Bragg, “Eisler on the Go “(arr. Claire Bryant) (1949/1998)
  • Ringdown (with Decoda), Set of Four Short Works: “Reckoning,” “Run,” “Thirst,” and “I Won’t Go” (2024–25)
  • Ringdown, “Every Stone in Cambridge Reminds Me of You” (2024)
  • Copland, “Appalachian Spring” suite for 13 instruments (1945/1970), featuring students from Penn State School of Music

Watch Decoda perform Valerie Coleman’s “Revelry.” Watch Ringdown perform “Reckoning.”

Acknowledgments

Support is provided by Nina C. Brown Endowment, Norma and Ralph Condee Chamber Music Endowment, and Pieter and Lida Ouwehand Endowment.

Accessibility services are supported by Sidney and Helen S. Friedman Endowment.

A grant from the University Park Fee Board makes Penn State student prices possible.

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